1. Sculpture Park Massachusetts
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1. Jul 13, 2016 DeCordova Sculpture Park and Museum. The largest and possibly most renowned sculpture park of its kind in New England, the DeCordova (dee-cor-duh-vah in eastern Mass-speak) features more than 60 works of modern and contemporary sculpture across 35 acres. Contemporary Sculpture at Chesterwood.
2. Nov 24, 2014 More than 120 acres (49ha) of sprawling farmland, sheltered woods and fertile marshes in the Hudson River Valley make up the Sculpture and Architecture Park, which showcases 60 works of modern art from internationally acclaimed contemporary artists.
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4. Mac Worthington, artist email: macwartist@aol.com www.macworthington.com 614-582-6788 Studio, Gallery, Sculpture Park: 5935 Houseman Road Historic Ostrander, Ohio Fine Art Giclee Prints.

Remove a museum’s walls and roof, and rules seem to disappear, too. We’re talking about artfully curated spaces where food, drink, running or loud voices aren’t just allowed but encouraged. Spread a family picnic below an iconic hanging mobile by Alexander Calder. Or take laps with your pup around a bronze horse cast by Deborah Butterfield, one of the most-recognized American sculptors alive today.

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The welcoming, come-as-you-are vibe in sculpture parks such as the Walker Art Center’s in Minneapolis is no accident. It’s city planning (and sometimes rural strategy) at its finest. Art and design transform empty plots of land into engaging gathering places for art buffs and newbies alike.

Whether you want to contemplate and reflect or simply enjoy the sunshine, check out one of these five harmonious spaces.

Minneapolis Sculpture Garden (walkerart.org)

Minneapolis Sculpture Garden

A fresh remodel reinvigorates the Walker Art Center’s 11-acre garden, where visitors pose with Gary Hume’s Back of Snowman sculpture and survey Theaster Gates’ 20-foot-tall pillar made of brick, granite and steel, Black Vessel for a Saint. Updated landscaping replaces formal, pristine hedgerows with native plants that let sunlight stream into every corner of the park. Spoonbridge and Cherry remains an icon.

Don’t Miss Artists design new holes in the garden’s technicolor mini golf course each year ($10 to play).

Wichita Art Museum’s Art Garden (wichitaartmuseum.org)

Wichita Art Museum's Art Garden

More than 70 species of trees and plants, most native to Kansas, line earthen berms and interwoven paths that provide varied vantage points of the sculptures. “Viewing art from a lower elevation feels more intimate,” says Terry Berkbuegler, whose firm Confluence designed the park. “A higher elevation has sweeping views of the river.” The result: an artistic choose-your-own adventure.

Don’t Miss Derek Porter’s Pulse Field features 119 poles with blinking, solar-powered lights.

Ariel-Foundation Park, Mount Vernon, Ohio (arielfoundationpark.org)

Ariel-Foundation Park. Photos courtesy of Ariel-Foundation Park.

Artists used high-concept recycling to reinvent the 250-acre site of the abandoned Pittsburgh Plate Glass factory, about an hour from Columbus. Salvaged steel makes up a cherry red, Hydra-like sculpture. Frosty blue crushed glass “flows” down a man-made grassy platform. And the redbrick wall ruins from the circa-1902 plant are so strangely beautiful, people have gotten married there.

Don’t Miss The park’s centerpiece, the Rastin Observation Tower, is the tallest structure in Knox County at 280 feet (airplane pilots use it as a navigational feature).

Nathan Manilow Sculpture Park, University Park, Illinois (govst.edu)

Nathan Manilow Sculpture Park. Photo courtesy of Nathan Manilow Sculpture Park.

A 30-foot-tall Paul Bunyan slumps in the middle of a field, his fiberglass-and-steel frame reflecting exhaustion. Or perhaps dejection? After all, Illinois’ “museum-in-the-prairie” contains little forest for the lumberman to chop. Instead, Paul and 28 other large-scale sculptures sit scattered across more than 100 acres of tallgrass at Governors State University. See a piece made from a railroad tank car, a concrete-and-steel flying saucer, and more.

Don’t Miss Bruce Nauman mimics farm sheds in House Divided, featuring an interior that’s split diagonally, at Nathan Manilow Sculpture Park.

John and Mary Pappajohn Sculpture Park, Des Moines (desmoinesartcenter.org)

John and Mary Pappajohn Sculpture Park. You can spot horse figures by Deborah Butterfield in at least seven Midwest parks; this one is her largest piece.

In 2009, local philanthropists John and Mary Pappajohn donated 25 sculptures to the city, inspiring the transformation of a flat, nondescript green space into a community hub. Today, office workers take noon walks along the winding paths, and teens snap photos inside Jaume Plensa’s Nomade. Four geometric berms form subtle galleries that make the park seem bigger than its 4.4 acres. The biggest one provides the perfect hill for kids to roll down.

Don’t Miss On warm days, food trucks park by the garden. Grab a bite and dine amid the art.

Please Touch the Art

Some parks encourage people to experience art with touch as well as sight. St. Louis’ Citygarden features two dozen sculptures—and no Do Not Touch signs. Self-taught artist Wayne Porter allows people to climb some of his pieces, such as the goldfish bowl, at Porter Sculpture Park in Montrose, South Dakota. And at Stevens Point Sculpture Park in central Wisconsin, guests interact with sculptures along a trail in the forest.

My earliest memory of MacArthur Park is from the mid 1970s. My sister was taking a painting class for high school students at Otis College of Art and Design. I was allowed to hang out in the class even though I was only about six or seven. I remember painting the park from a second floor view out a window. The old Otis campus is now Charles White Elementary School. The LACMA art education exhibition Shinique Smith: Firsthand is now on view at the school and features works by the artist and objects from the LACMA's Costume and Textiles collection. This weekend is a great time to visit the exhibition as we will be presenting a free family and community day on Saturday from 10am–2pm. Drop by for free family tours, art-making, and scavenger hunts before heading out to explore the art in the neighborhood.

MacArthur Park was originally called Westlake Park. At the time, it was the western terminus of Wilshire Boulevard. It was built in 1890 and was highly influenced by the Olmsted Brothers concept for urban park design. Through the early part of the twentieth century, the park was a vacation destination, with fancy hotels and glamourous visitors and inhabitants. In the 1920s, Wilshire Boulevard was rerouted through the park, dividing it in two. In recent decades, the neighborhood has become a vibrant hub for Central American immigrants.

The best way to get to the MacArthur Park/Westlake neighborhood is by Metro. I really recommend taking the train. (The Redline and Purpleline both stop at the Macarthur Park/Westlake station). Besides that it is fun to take the subway, there is no parking hassle, and you reduce your carbon footprint, there is some amazing public art in the station.

When you get off the train, you’ll see glimpses of Francisco Letelier’s large tile murals El Sol and La Luna. Walk up to the next level for a better view. The murals flank the northern and southern walls of the station. Images of MacArthur Park community members, landmarks, and laborers are depicted in intense blues, reds, yellows, and oranges. See if you can find a woman sewing, the sun, a father and child, the metro tunnel, and the moon.

Now look for Sonia Romero’s artwork MacArthur Park: Urban Oasis, a series of porcelain mosaic murals installed at eye level, near the turnstiles on the northside of the station. Romero produced original linoleum cut prints that show scenes from the park and adjacent historical buildings. The prints were then translated into mosaic mural panels. Each panel tells a unique neighborhood story. Can you imagine yourself in one of these scenes? Playing soccer? Eating at Langer’s? Strolling by the water in 1902?

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Walk to the center of the station and look up. Into the Light by Therman Statom hangs in a yellow tile skylight. Look for five ordinary objects: house, ladder, leaf, cone, and diamond. Notice the shadow patterns on the floor below, and how the light changes as you move around and under.

So much art and we haven’t left the station yet. As you emerge from the station, the first view across the street is the southside of the park. Notice your surroundings. Street vendors selling fresh squeezed orange juice, pupusas, tamales, tortas, CDs. Brightly painted advertisements and signs. Can you find the Westlake Theatre sign? That sign, and others like it around Los Angeles were repaired and refurbished by the Department of Cultural Affairs.

Throughout the park, there are a number of sculptures and murals dating back to 1920. The majority of the sculptures were installed in 1986 and 1987. Walk to the NW corner of Alvarado and Wilshire. Look east, and check out the huge mural of Jaime Escalante and Edward James by Olmos Hector Ponce, Los Angeles Teachers.

Turn around and enter the park. About a quarter of the way into the park, you’ll see a red sculpture elevated on a tall pedestal. You’ve found artist Franco Assetto’s The Big Candy.

Continue walking past the soccer field and the playground. You’ll see Judy Simonian’s Pyramids. Look for the light blue one and the figure of a man. The tile of his face is missing. What do you think he looks like?

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Continue walking until you walk out of the park. Look up and check out the entry arch designed by R.M. Fischer. You should be facing Charles White Elementary now. Go check out Firsthand! Before you leave the school campus, look for the Ken Twitchell mural that overlooks the basketball court and faces Carondelet Street. Lucky b-ball players!

On your way back to the station, head in to the southside of the park, by the the lake. Look for George Hermes’ Clocktower-Monument to Unknown and Roger Noble Burnham’s MacArthur Monument. Think about how these artists pay tribute and commemorate.

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As I was walking back to the station, after eating a delicious tamale at Mama’s Hot Tamales, I was thinking about how this neighborhood is so L.A, where we can transform and be anything. Where an art school has become an elementary school; and the kids at Charles White Elementary have their own artwork hanging in a gallery, reflecting the art in their neighborhood and the previous incarnation of their school.

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Alicia Vogl Saenz, Senior education coordinator